Showing posts with label unnecessary worries. Show all posts
Showing posts with label unnecessary worries. Show all posts

Friday, March 4, 2011

"I'm going to the nut shop where it's fun!"

So there's this grocery store in my neighborhood.  I used to drive past it every morning when I worked in Century City.  It's on a stretch of Pico Blvd. that houses mostly kosher shops and restaurants.  It also happens to be next to an establishment called the Nut House, which is I think what captured my attention in the first place.  Also, the Nut House looks like this:


Nuts, candy, ice cream and wine???  This place must be heaven.  And it always makes me think of You've Got Mail when Steve Zahn's character says, "This place is a tomb.  I'm going to the nut shop where it's fun."  For years I've wondered, what nut shop?  Why is it fun?  What do they do there? I guess this would be the answer.

Anyway, it's really the grocery store next to the Nut House that has intrigued me for a while.  The grocery is called Elat Market.  It was rumored to be this magical land full of the freshest of fresh and the cheapest of cheap produce and meats.  It supposedly housed all sorts of Middle Eastern delights and spices.  I'd read about it on food blogs.  I'd stalked its page on Yelp.  And now that I live about 5 blocks away from it, you might ask why I haven't ventured in yet.  Well, just like every hero must have a weakness, this shop supposedly has crowds of cutthroat old ladies with big carts.  I'd read horror stories of people stealing out of each other's carts, arguments erupting in Farsi, and customers elbowing each other in the face over iceberg lettuce.  Let's just say I've been psyching myself up to visit for a lonnnnng time. 

Suddenly, my intrepid roommate decided that today was the day that she would venture to the Elat Market.  She returned about 45 minutes later, eyes wide and veins pulsing with bloodlust.  No, I'm just kidding.  She loved it.  She took a detour to the Nut House and made friends with Amir who worked there.  Then she skipped into Elat and bought sugarplums.  I'm not even kidding.  In case you needed further proof:  Coward = Me.

A Poem, on the Supposition of an Advertisement Appearing in a Morning Paper, of the Publication of a Volume of Poems, by a Servant-Maid

The tea-kettle bubbled, the tea things were set,
The candles were lighted, the ladies were met;
The how d’ye’s were over, and entering bustle,
The company seated, and silks ceased to rustle:
The great Mrs. Consequence opened her fan,
And thus the discourse in an instant began
(All affected reserve and formality scorning):
“I suppose you all saw in the paper this morning
A volume of Poems advertised—’tis said
They’re produced by the pen of a poor servant-maid.”
“A servant write verses!” says Madam Du Bloom:
“Pray what is the subject—a Mop, or a Broom?”
“He, he, he,” says Miss Flounce: “I suppose we shall see
An ode on a Dishclout—what else can it be?”
Says Miss Coquettilla, “Why, ladies, so tart?
Perhaps Tom the footman has fired her heart;
And she’ll tell us how charming he looks in new clothes,
And how nimble his hand moves in brushing the shoes;
Or how, the last time that he went to May Fair,
He bought her some sweethearts of gingerbread ware.”
“For my part I think,” says old Lady Marr-joy,
“A servant might find herself other employ:
Was she mine I’d employ her as long as ’twas light,
And send her to bed without candle at night.”
“Why so?” says Miss Rhymer, displeased: “I protest
’Tis pity a genius should be so depressed!”
“What ideas can such low-bred creatures conceive?”
Says Mrs. Noworthy, and laughed in her sleeve.
Says old Miss Prudella, “If servants can tell
How to write to their mothers, to say they are well,
And read of a Sunday The Duty of Man,
Which is more I believe than one half of them can;
I think ’tis much properer they should rest there,
Than be reaching at things so much out of their sphere.”
Says old Mrs. Candour, “I’ve now got a maid
That’s the plague of my life—a young gossiping jade;
There’s no end of the people that after her come,
And whenever I’m out, she is never at home;
I’d rather ten times she would sit down and write,
Than gossip all over the town every night.”
“Some whimsical trollop most like,” says Miss Prim,
“Has been scribbling of nonsense, just out of a whim,
And, conscious it neither is witty nor pretty,
Conceals her true name, and ascribes it to Betty.”
“I once had a servant myself,” says Miss Pines,
“That wrote on a wedding some very good lines.”
Says Mrs. Domestic, “And when they were done,
I can’t see for my part what use they were on;
Had she wrote a receipt, to’ve instructed you how
To warm a cold breast of veal, like a ragout,
Or to make cowslip wine, that would pass for Champagne,
It might have been useful, again and again.”
On the sofa was old Lady Pedigree placed;
She owned that for poetry she had no taste,
That the study of heraldry was more in fashion,
And boasted she knew all the crests in the nation.
Says Mrs. Routella, “Tom, take out the urn,
And stir up the fire, you see it don’t burn.”
The tea-things removed, and the tea-table gone,
The card-tables brought, and the cards laid thereon,
The ladies, ambitious for each other’s crown,
Like courtiers contending for honours, sat down.

-Elizabeth Hands

Tuesday, February 15, 2011

It might have been okay, but then they released Hanson.

When I was running errands yesterday, I had my iPod plugged in in my car and the windows down.  I don't know why there's something exhilarating about doing that, whether it's blasting your favorite song or exorcising road rage with something bass-heavy and angry.  It reminded me of a time before I got my driver's license. 

I was one of the youngest people in my class so all my friends were already riding around, proclaiming their love for Dave Matthews by turning up Under the Table and Dreaming as they peeled out of the school parking lot.  Of course we had fun driving around town together, but I longed for control of the wheel.  I wanted to blast Jagged Little Pill whether I was with friends or not!  My greatest teenage fear at that time was that there would be no more good songs to play by the time I got my license.  Literally, the music world would run out of material and I would be left to play the same old Gin Blossoms on repeat for the rest of my life.  How tragic to lose the joy of driving before I even had it.

Well, duh, that didn't happen.  I am happy to report that musicians have not given up the passion to create, that there are yet thousands of chord combinations to be discovered.  And I still listen to some of those '90s songs with the volume turned up because nostalgia is an excellent passenger.

Three Teenage Girls: 1956

Three teenage girls in tight red sleeveless blouses and black Capri pants   
And colorful headscarves secured in a knot to their chins   
Are walking down the hill, chatting, laughing,   
Cupping their cigarettes against the light rain,   
The closest to the road with her left thumb stuck out   
Not looking at the cars going past.   

Every Friday night to the dance, and wet or dry   
They get where they’re going, walk two miles or get a ride,   
And now the two-door 1950 Dodge, dark green   
Darkening as evening falls, stops, they nudge   
Each other, peer in, shrug, two scramble into the back seat,   
And the third, the boldest, famous   
For twice running away from home, slides in front with the man   
Who reaches across her body and pulls the door shut.
 

Tuesday, February 8, 2011

Too bad I look stupid in hats.

This is the third comb I've broken trying to get it through my wet hair in the shower.  Yes, I have a lot of hair, but this is ridiculous.  I honestly think the hair is fighting back.  Do I really need to buy a special metal tool to tame this beast?  To give you a visual, if left to its own devices my hair would balloon and drape itself around my head, emulating Cousin It.  How I long for the type of bone structure that would be flattered by a pixie cut.

I once was assigned to write a self-portrait poem in college, and the only thing I can remember is the first line:  "All I am is hair."  Not much has changed, but I wonder where that poem is now. 

Anyway, I'm off to buy a comb.

Haircut

I get off the IRT in front of the Schomburg Center for Research in Black Culture after riding an early Amtrak from Philly to get a hair cut at what used to be the Harlem "Y" barbershop. It gets me in at ten to ten. Waiting, I eat fish cakes at the Pam Pam and listen to the ladies call out orders: bacon-biscuit twice, scrambled scrambled fried, over easy, grits, country sausage on the side. Hugh is late. He shampoos me, says "I can't remember, Girlfriend, are you tender-headed?" From the chair I notice the mural behind me in the mirror. I know those overlapped sepia shadows, a Renaissance rainforest, Aaron Douglas! Hugh tells me he didn't use primer and the chlorine eats the colors every day. He clips and combs and I tell him how my favorite Douglas is called "Building More Stately Mansions," and he tells me how fly I'd look in a Salt 'n' Pepa 'do, how he trained in Japan.

Clip clip, clip clip. I imagine a whoosh each time my hair lands on the floor and the noises of small brown mammals. I remember, my father! He used to get his hair cut here, learned to swim in the caustic water, played pool and basketball. He cuts his own hair now. My grandfather worked seventy-five years in Harlem building more stately mansions. I was born two blocks away and then we moved.

None of that seems to relate to today. This is not my turf, despite the other grandfather and great-aunt who sewed hearts back into black chests after Saturday night stabbings on this exact corner, the great-uncle who made a mosaic down the street, both grandmothers. What am I always listening for in Harlem? A voice that says, "This is your place, too," as faintly as the shadows in the mural? The accents are unfamiliar; all my New York kin are dead. I never knew Fats Waller but what do I do with knowing he used to play with a ham and a bottle of gin atop his piano; never went to Olivia's House of Beauty but I know Olivia, who lives in St. Thomas, now, and who exactly am I, anyway, finding myself in these ghostly, Douglas shadows while real ghosts walk around me, talk about my stuff in the subway, yell at me not to butt the line, beg me, beg me, for my money?

What is black culture? I read the writing on the wall on the side of the "Y" as I always have: "Harlem Plays the Best Ball in the World." I look in the mirror and see my face in the mural with a new haircut. I am a New York girl; I am a New York woman; I am a flygirl with a new hair cut in New York City in a mural that is dying every day.

-Elizabeth Alexander

Monday, January 17, 2011

Getting a little ahead of ourselves, aren't we?

I was watching the Golden Globes tonight,  and as a result I feel compelled to admit something.  I think most people who have jobs in the arts imagine themselves up on the stage of some awards show, accepting the highest honor for their work in front of all their peers.  I, on the other hand, can think of nothing more tortuous aside from being stuck on a bridge in a car full of spiders over a bay on a gusty day.  I mean, before we even get to the horror of public speaking, let's consider the long march from your seat to the stage.  At least at the Globes everyone is too busy toasting drinks at their tables to be paying too much attention to the actual show.  Most other shows everyone is so bored that they just stare at you as you pass by and psychically bombard you with "keep it short" vibes.  

I guess I should put a disclaimer here that I've never been to an awards show, I'm only writing what I know from television, and it's probably a poor representation at that.  That still doesn't change the fact that if I was ever nominated for an award, I would quickly schedule something out of the country and hope that someone famously hilarious accepts on my behalf. 

I know you're thinking, careful, your misanthropy is starting to show.  I wasn't always like this.  In my bolder days of youthful vanity (read: middle school), I would pretend to be sitting across from Oprah talking about my most recent bestseller.  Award shows weren't really my thing, but network television's highly rated daytime shows apparently were.  In my angrier, angsty-er days (read: college), I pictured a scenario in which I would accept an award out of spite for all the haters and nay-sayers.  That speech would go something like, "This is no thanks to YOU, blankety-blank, who refused to write me a recommendation to get into such-and-such program.  Despite you, so-and-so, who rolled your eyes when I said I wanted to be a writer, I'm accepting this award.  Suck it."

So that's over, thank goodness.  Now I'm sorry to tell you, friends and family members, I will not ever be a good bet for an awards show ticket, but in return I invite you to join me on a secluded beach somewhere- many time zones away from the video feeds (and unfortunately, the gift bags).

The Pillar of Fame

-Robert Herrick

             Fame’s pillar here at last we set,
             Out-during marble, brass or jet;
                  Charmed and enchanted so
                  As to withstand the blow
                   O f   o v e r t h r o w ;
                   Nor   shall   the   seas,
                     Or     o u t r a g e s
                   Of   storms,   o’erbear
                     What    we    uprear;
                   Tho’   kingdoms   fall,
                This   pillar   never   shall
                Decline   or waste at   all;
         But   stand   for ever   by   his   own
         Firm   and    well-fixed    foundation.